Are UK Music Festivals Created with Cookie Cutters? Outlook Festival Proves Not 4th September, 2012

The Slingshot Sponsorship team just got back from an amazing week in Croatia at Outlook Festival – Winner of the UK’s Best Overseas Festival 2011.  It was an amazing event and we arrived home – albeit a bit dusty, sun burnt and tired – with so much enthusiasm for next year’s festival and sponsorship opportunities around it I wrote this blog en route.

But before I begin, I will first explain that the term ‘cookie cutter’ means the same thing as carbon copy or effectively just the ‘same’.  Apparently (which I’ve just found out from my British colleagues) you do not use this term in the UK.  It makes a better picture than carbon copy, so we’ll use ‘cookie cutter’ for the time being.

Now that is cleared up…

During our trip we spoke to a number of brands who came out to join us and the same conversation kept coming up – that UK music festivals so often mirror each other and rarely offer a truly unique experience – they are cookie cutters of themselves.  Same stage, similar line ups, same parks, and even the same brand sponsors!  Now, of course, this doesn’t include every festival, but on the whole the feedback we’ve had is that brands have started to fall out of love (which equates to a loss of ROI) from something that has been a stronghold in our sponsorship industry.

Because of this, brands who are interested and align themselves to music have started to consider new platforms in music and other music events that feature a UK audience, but position themselves in a different environment whether that is music genres or geological location.  Outlook Festival combines both.

Engagement with a more unique event can be tailor-made for sponsors and the experience stands these brands out from their competitors in an often uncluttered market as they are more forward thinking and attract less bandwagon followers.  This allows sponsors to showcase and create a more genuine, forward-thinking, and most of all memorable brand experience.

My music festival sponsorship tip – If you are a brand sponsor, consider looking outside of the usual.  If you are a music festival in need of sponsorship, start considering how important differentiation of your festival is to ensure you are able to effectively drive brand relationships with your audience.

And just to share, here are some of our Outlook Festival Instagram moments from the team:

Our own Jackie Fast announced in prestigious Media Week 30 Under 30 12th July, 2012

Managing Director of Slingshot Sponsorship, Jackie Fast, announced as part of the industry’s next generation of talent revealed at the prestigious Media Week’s 30 Under 30.


The competition is supported by The Mail on Sunday and the newspaper’s managing director Marcus Rich joined Jeremy King, editor of Media Week, on stage last night at the Cuckoo Club to reveal the names of those that made it onto the list.

Recognising the next generation of talent in the industry, this prestigious award showcases the emerging talent in the marketing and media industries.  Sought after by marketing and media agencies, Slingshot Sponsorship was the sole winner in the sponsorship industry to be recognised.

Jackie Fast commented, “It is absolutely fantastic to be recognised amongst this group of extremely bright and talented individuals.  I am especially proud to have our sponsorship work be recognised in such a marketing focused awards programme – truly showcasing how sponsorship is an important aspect in the marketing mix.  It is an unbelievable honour.”

Judged by a team of industry experts that included Marcus Rich, David Wilding, planning director at PHD; Tom Dunn, digital strategy director at Maxus; Karen Stacey, broadcast sales director for Bauer Media, Clare Rush, joint head of investment at MEC and Philip Smith, head of content solutions for the Brand Republic group, this year’s entrants were of a very high calibre.

To see the full Media Week 30 Under 30 list please click here.

The Origins of Sponsorship: Financing Scott's Expedition 27th June, 2012

For those of you who don’t know the history of Captain Robert Falcon Scott’s ‘Terra Nova’ expedition of 1910 to the South Pole, it is a fascinating story of exploration and the endurance of the human spirit. The expedition was so groundbreaking for its day the only recent comparison to be drawn of what his team overcame would be that of the space race to the moon. The objectives of this expedition were to charter new territory and to pioneer scientific research in polar wildlife and in doing so hoping to answer polemical questions surrounding evolution. Captain Scott, a former naval officer gathered together a team of leading scientists and explorers to accompany him. However, the major obstacle to this expedition was finance. To make this expedition possible, the ever resourceful Scott understood that the power of sponsorship was the key.

In order to reach the South Pole, Scott needed a ship, men and resources for the round trip past Australia and New Zealand which took them a total of eight months each way. This privately funded expedition cost an estimated amount of £40,000 or the equivalent of over £3 million of today’s value. Scott didn’t have the luxury of time either to raise the money, with competition from Norwegian explorer Roald Amundsen striving to reach the South Pole first. Scott recognised that the booming newspaper industry of 1910 could be his opportunity and a powerful tool to raise the capital required for the expedition. Scott needed supplies from a range of different brands and suppliers from Heinz to Burberry. He knew that photography on the expedition would not only serve to catalogue the team’s journey and discoveries, however allow for brands to finance and endorse the trip and feature in the burgeoning newspaper industry in support of the mission.

Scott understood the theory of sponsorship, and the opportunities for brand association. Brands such as Bovril, Oxo and Shell petrol not only gained large amounts of exposure in newspaper advertising; however they are credited for making this unprecedented expedition possible.  Sponsorship of the expedition supported key messages for the brands, such as patriotism, advances in scientific research, the importance of home comforts, adventure and survival. Furthermore, what better brand ambassadors than the brave team of explorers of Scott and his team.

Lessons from the past

Although these photos now appear at such odds to present day expeditions of its kind and current marketing messages, the theory and the ingenuity of Scott’s use of sponsorship is still very pertinent in the 21st century. Using an innovative platform to capture the attention of the public with the most engaging medium at your disposal is exactly what Scott achieved. The emergence of the press in Scott’s day has many parallels to the emergence of the digital age in which we live in, and those able to utilise this resource to the best of its ability have been able to reap the rewards.

In this sense the theory of sponsorship at its essence remains very much frozen in time, much like Scott’s hut which has been near perfectly preserved due to the extreme temperatures of the South Pole and which serves as a reminder of the incredible feat Scott and his team achieved.

'Terrible Twos' Slingshot Sponsorship has its Second Birthday 31st May, 2012

We have reached a fantastic milestone, today is Slingshot Sponsorship’s 2nd Birthday!

Last year I wrote about what we’ve learnt in the past year (see last year’s Birthday Blog here), whilst this year I thought I might compare our agency’s development to that of the notorious ‘Terrible Twos’.  And although I do hope that it won’t be following the same path as my friend’s toddlers, there are strangely some similarities…

“I Choose”

The ‘Terrible Twos’ is so named because it is a period of child development in which children initially begin to make their own choices – the toddler realises that (s)he can make their own mind up about things.

We’ve been very fortunate to work with amazing clients so this doesn’t exactly relate to our sponsorship agency, but we do now have the amazing staff on hand in order for us to fully start going after some clients we really believe we can help.  We are also able to take more risks now giving us more flexibility on who we are able to work with.

Earlier this year we secured the exclusive opportunity to work with an extremely iconic and forward-thinking brand – Caterham Cars.  Their innovative thinking coincides with our own and we can’t wait to start showcasing what we can do across all of the commercial areas we will be leveraging (more on our involvement with Caterham Cars can be found here).

“I Want That”

The ‘Terrible Twos’ are always wanting and if they scream loud enough, more likely than not they tend to get what they want.

Although ‘scream’ is probably not the best description for how we’d like to go about getting our own way, I do think that by constantly discussing, meeting new people, and communicating your proposition the more people will understand what you are trying to achieve and will help where they can.  After all, we are working in an industry which insists that two heads (or brands) are better than one, and we take this seriously throughout every interaction and relationship we have.

In terms of screaming about the benefits of sponsorship, one of the things we are very excited about is putting together a sponsorship module next semester to educate the technology industry in London about how sponsorship is beneficial, and more fundamentally what it is and what it can do.  As sponsorship reaches so many disciplines it is important to not only be at the forefront of digital technology, but it is also vital for us to impart knowledge of how sponsorship can work when applied to different industries – not just educating those within the marketing discipline.

Questions, Questions, Questions

The best thing I’ve heard recently is a question from a child to her mother, “Mummy, what if everyone in the world broke both their arms at one time?”

Although Slingshot may not be questioning exactly the same topics as a ‘Terrible Two’, I do think it’s important to question our industry, our work, and our objectives.  I truly and whole heartedly believe that sponsorship can be one of the most effective and unique forms of marketing (obviously depending on the objectives) and that every brand, rights owner, charity, small business owner and individual needs to consider working with sponsorship in some form.  Whether it is sponsoring your local community football team, integrating sponsorship on your foodie blog or spending millions on purchasing rights to a building – sponsorship works.  Because the parameters can be hugely varied, it does take some ingenuity to tailor the proposition, but when tailored correctly (and continually) it can create engaging experiences that are larger than the sum of its parts.

Make sure to keep track of our progress in Year 3, by signing up to our Blog & YouTube Channel.

London 2012 and the cost of Ambush Marketing 29th May, 2012

With just under two months before the long awaited London 2012 Olympic Games begin, the media spotlight is certainly on Britain. Companies across the country are expecting the Olympic Games to have a positive effect on business with the influx of tourists creating a rare opportunity for an expansive global audience. Some companies in the UK simply want their marketing messages to support the Olympic Games as a matter of British pride,  however other companies have less than honest intentions and want to trade off the ‘goodwill’ of the Olympic Games. This exists in the form of ambush marketing where one brand hopes to eclipse the marketing of an existing event sponsor through a publicity stunt to gain exposure, or where a brand attempts to simply ride on the coattails of the Olympic Games hoping the public will perceive an official association.

The truth is that there are some important commercial barriers in place restricting marketing and advertising around the Olympics. Whether your intentions as a business are honest or not, any advertisement from a ‘non-authorised user’ that would lead a member of the public to presume an association to the Olympic Games will result in infringement of the London Olympic Association Right (LOAR) 2006.

Listed Expressions

The London Organising Committee of the Olympic Games (LOCOG) has highlighted the statutory rights for marketing around the Olympics. Companies using the listed expressions in the course of trade, categorised below, will need to do so with care to avoid: removal of their merchandise, unlimited fines, or even a criminal conviction for flagrant abuse of the law.

LIST A LIST B
‘Games’

‘Two Thousand and Twelve’

‘2012’

‘twenty twelve’

‘Gold’

‘Silver’

‘Bronze’

‘London’

‘medals’

‘sponsors’

‘summer’

The court will take into consideration the following:

Any two of the words in List A such as: “Backing the 2012 Games”

OR

Any word in List A with one or more words in List B such as: “Supporting the London Games”

Ricoh Arena

This legislation has been received both positively and negatively by brands and the public. Some argue that the law is extremely restrictive and the rights assumed by LOCOG are out of their remit. An example where this legislation has been regarded as particularly impractical occurred at the Ricoh Arena, home to Coventry Football Club. This stadium which is hosting football matches during the Olympics  were informed that every non-official Olympic sponsor brand within the stadium, right down to the design of the hand-dryers must be covered up due to a conflict with existing sponsors. According to the facilities manager Antony Mundy, this has left them with a “mammoth task”.

Nike vs Reebok

What LOCOG are trying to protect is ambush marketing and publicity stunts that seem to be common place at competitions such as the Olympic Games. They are right to do so; brands such as Nike have been guilty of ambush marketing with their pop-up ‘Nike Town’ which appeared on the doorstep of the Olympic Park during the Atlanta 1996 Olympic Games.  In this instance the result was that 36% of the public believed that Nike, not Reebok were the official sponsors.

2010 FIFA World Cup

The Olympics and the FIFA World Cup have been the prime targets for ambush marketing over recent years. As each competition comes to a close the law has become progressively more robust to prevent those seeking to associate themselves as official sponsors or partners. Some may argue that current measures in the light of ambush marketing are now too protective of the existing sponsors and that marketing around the Olympic Games is trying to negotiate around a minefield. This degree of protection was comically mocked during the 2010 FIFA World Cup in South Africa. South African budget airline Kulula decided on the marketing slogan ‘The Unofficial Carrier of the You-know What’ in the lead-up of the World Cup. Ironically this still became censored by the FIFA committee.

Does the legislation strike the right balance?

Coming from a professional sponsorship agency, we are well aware of the level of sponsorship that goes into the Olympic Games and the strategy behind the investment from brands. In tough economic times companies are investing large sums of money into the Olympic Games. Brand exposure and exclusivity in your industry is undoubtedly the primary reasons behind sponsorship. To a certain degree it could also be argued that in the spirit of competition, one-upmanship in being the headline sponsor between global brands such Nike and Adidas is just as fierce as the competing that will be seen in the Olympic Park this summer. What we need to remember however is that, money raised from sponsorship amounts to nearly half of the capital required to stage the Olympic Games in the first place. If these brands don’t feel that their investment has been appropriately protected, then the level of support into the Olympic Games is severely jeopardised for future competitions.

We all want the London Olympic Games to run at the best of its ability, for the sake of both the public and the athletes. Furthermore, despite arguments that too much power is afforded to LOCOG, and the level of protection given to official sponsors, London 2012 will undoubtedly undergo some degree of ambush marketing this summer. Whether you agree with the legislation surrounding the Olympic Games or not, it is important to not get caught out unawares of the restrictions in place.

So if in doubt check the legislation:

http://www.london2012.com/documents/brand-guidelines/statutory-marketing-rights.pdf

An Unlikely Alliance? Sauber F1 announce brand partnership with Chelsea FC. 1st May, 2012

Swiss Formula 1 team Sauber announced  yesterday 30/4/2012 a collaboration with Chelsea FC, which was hinted at with elusive messages ‘Out of the Blue’ and ‘True Blue’ that began to appear on the Sauber engine covers during the Bahrain and Chinese Grand Prix. In many ways such an innovative relationship between both sports has been long overdue.

It’s all about timing

Sauber, being a racing team, clearly know the importance of good timing. This agreement has been in the pipeline for at very least a fortnight now, before Chelsea bravely overcame Champions League favourites Barcelona last week. To further infuriate fans of both football and F1 in Barcelona, Sauber will be featuring the Chelsea FC logo (the same week of the Champions league final) for the first time at the Spanish Grand Prix which heralds the beginning of the European Leg of the Formula 1 season. Sauber’s logo will also feature at Chelsea FC on interview walls and advertisement boards at Stamford Bridge.

Some observers may argue that such a partnership endorsing two different teams in very different sports serves no real function, especially when coverage of both sports tend to overlap. West London football club Queens Park Rangers also has an affiliation to F1 in the form of club ownership. Malaysian entrepreneur and owner of Caterham F1 Tony Fernandes purchased his majority shares in the football club from Bernie Eccelstone’s  who in turn purchased his shares from former managing director of Renault F1 Flavio Briatore; however no direct aesthetic associations between the sports exist in such a form until now. So what are the reasons behind such a move?  Sauber CEO Monisha Kaltenborn maintains that “the Sauber F1 Team and Chelsea FC are dealing with many of the same sporting and commercial topics and we want to strengthen each other in these areas. We are looking forward to exploiting these opportunities.”  In addition Chelsea mark their twentieth year in the premiership, as Sauber have made a promising start to this Formula One season, also their twentieth consecutive year as an F1team.

The Incentives

There are clear benefits to be found in striking a deal between these two European sporting institutions and by sharing notes on two of the world’s most lucrative sports. Firstly the science behind sports success is becoming increasingly sophisticated, where the importance of synergy between the backroom staff and the sportsmen in both sports is increasingly noticeable be it in the shape of a pitch-side physio, or a pit-stop mechanic. Secondly, from a commercial standpoint, the coming together of both these sports brands opens great marketing, merchandising and sponsorship opportunities. Both Chelsea and Sauber teams boast an international presence and know the importance of broadening a loyal support base. F1 much like football draws great support and sponsorship from the Middle East and Asia; Chelsea will therefore be looking to further engage with this market.

So in essence the fact that the Grand Prix will not return east until Japan in the middle of September means that the timing of this deal is a move to strengthen the global following of both sports and to increase general dissemination of both sporting brands as the European leg of the F1 season is about to get underway.

Outlook Festival appoints Slingshot Sponsorship as exclusive agency 23rd April, 2012

Outlook Festival – Winners of the ‘Best International Festival’ at the Festival Awards– have appointed Slingshot Sponsorship as their exclusive sponsorship agency.

Slingshot Sponsorship will work closely with the Croatian-based event to increase awareness and commercial revenue through the creation of sponsorship opportunities as well as creating new digital brand partnerships.  Keen to preserve the traditional values of the Outlook Festival, Slingshot Sponsorship will ensure sponsors are carefully incorporated into the fabric of the event, adding value to the 15,000 festival goers at the event and the millions of music lovers who engage with the Outlook brand online throughout the year.

Jackie Fast, Managing Director of Slingshot Sponsorship, commented:

We are thrilled to be working with Outlook Festival this year.  They epitomise how growing organically and being true to a brand can create advocates exponentially.  This is a fantastic opportunity for brands to be involved with an influential music festival in Croatia – not to mention UK brands building relationships prior to Croatia’s acceptance into the EU in 2013.  The potential for audience engagement is like no other festival currently in the market because of their digital capabilities, making it an amazing platform for brands to be involved with.

Only in its fifth year, Outlook is already regarded as the biggest bass music festival in Europe, featuring the most prestigious names in the most cutting-edge dances across the globe.  Acts already confirmed include Fat Freddy’s Drop, Skream, Digital Mystikz & Andy C with many more to follow, ensuring 2012 will top the incredibly high standards Outlook sets itself each year.

Johnny Scratchley, Founder of Outlook Festival commented:

I’m very excited to now be working with Slingshot Sponsorship, they have the perfect ethos for us as a festival and are expert inthe new areas of media we are currently focusing on.

Sponsorship: Pushing boundaries in an ever changing landscape 24th February, 2012

Sponsorship is a very unique industry, one that is both growing as well as dramatically shifting.  At the moment, there seems to be an inertia amongst sponsorship agencies and brands at one end of the scale, while at the other end there is an active driving force pushing the industry into a more ‘grown-up’ and sustainable form of marketing. I’d like to think Slingshot Sponsorship is the latter.

Put simply, sponsorship is a form of marketing.  And just like good old fashioned direct marketing campaigns, sponsorship needs to be measured, creative and deliver results for the client.  Somewhere along the line, sponsorship campaigns have stagnated, which has created an industry that bases success on logo views making it no different to advertising – except lacking the creativity.  This was caused by the reasons sponsorship was signed off initially – typically the CEO who was boosting his own ego and basing brand positioning on access to hospitality boxes and exclusive tickets, rather than marketing ROI.

However, sponsorship is so much more than that and for the brands and sponsorship agencies out there who are willing to work a bit smarter, the returns can be significant.

My favourite example of smarter thinking is with the Direct Marketing Association who dramatically shifted their involvement with sponsorship enabling them to provide more value to their members at no additional cost (view case study here).  Rather than just being an add on, this membership organisation now counts sponsorship revenue as core to their business processes and integral to their overall income.

Another smarter thinking client we have is the What Car? Awards, which saw an increase of 1032% on sponsorship revenue this year simply by shifting some of their current activities in order to create value for their sponsors (view case study here).  For example, instead of just having sponsors involved with the presentation ball itself, What Car? created new promotional channels including promotion of the shortlist through media sponsor The Metro; providing sponsors a significant amount of national exposure.  Neither additional resource nor expense was needed as the shortlist was always part of their programme, but by changing the promotion and involving partners, this dramatically changed the value derived for the What Car? Awards sponsors.

We like to think we are pushing boundaries  and making sponsorship work harder and smarter for our clients so if you are interested in pushing some with us, make sure to get in touch or sign up to our newsletter.