The Invisible Brand 17th July, 2012

Sponsorship in the past has focused largely on naming rights and branding. However, increasingly brands are moving their attention away from this approach towards more creative activations and a less ‘visible’ form of sponsorship.

Invisible Sponsorship

Festivals are a good example of where understated sponsorship can be the most effective. With a different music festival virtually every weekend of the summer in the UK, it is no surprise that plenty of brands want a piece of the action.  However, festival sponsorship requires careful consideration on behalf of the brand.

Often a highlight to their summer, people tend to approach festivals with a more relaxed vibe and are therefore more open-minded and receptive which can make sponsorship of these events hugely appealing from a brand perspective. However, too much obvious branding and a lack of relevance to the event could have a negative effect.  Festival goers want to relax and enjoy the music and brands should not make them mistake of trying to get involved if they won’t be perceived as bringing something positive to the experience.

Festival goers complained that gaming brand Xbox’s sponsorship of Bestival was not in line with their outdoor experience and this created a negative perception of Xbox’s involvement with the event. Whereas, alcohol brands have such a good response from sponsorship of festivals because the brand is integrated into the event, and in turn leads to people associating it with their positive experience.

When approaching a sponsorship campaign surrounding an event such as a festival brands should consider:

  • Creating the chance for the audience to experience the brand at the event in a relevant format through experiential activities
  • Amplifying the best attributes of the event through the sponsorship campaign – adding to the experience not taking attention away
  • Providing exclusive content in some form to share with the audience
  • Ensuring the brand has relevance to the event in some format

It is no surprise that the positive environment surrounding festivals continues to entice brands, however, it is important that brands think beyond the obvious message and provide real value to the event in order to gain the crowd’s approval.

Music Festival Sponsorship: The Good, The Bad and The Ugly 17th April, 2012

We have been talking a lot about music sponsorship here at Slingshot.  Mainly because we are knee-deep in a couple of very exciting music projects, but also because everyone is gearing up for festival season.  Mostly I have been consumed with which festival to go to for our agency’s second birthday, but I have also been having some interesting conversations with both brands and rights holders on what is coming up this year and the current state of music festival sponsorship.

The Good

Festival sponsorship has always been a great platform for brand engagement – especially in the UK market with the English music lover’s ability to bare rain, sun, sleet, and a muddy tent with a smile on their face.  It not only provides the perfect atmosphere for a receptive audience, but also the space to really leverage brand experiences.  Festival-goers walk away with memories they cherish forever, which can provide a significant amount of brand recall for future years to come.  Consider V Festival – the name so synonymous with Virgin Media it surprises many when you find out they don’t actually own this festival, but just act as the Headline Sponsors.

The Bad

Because festival s has been such a great sponsorship platform, brands have flocked in droves – creating a cluttered market.  Instead of engaging with a couple brands, festival goers are often  bombarded by marketing messages,samples, activations, offers and more.  One festival had so many pre-sale sponsors that most people didn’t know where to purchase tickets and so opted to  not do it, which consequently saw the festival getting cancelled as they couldn’t underwrite the loss nor project the future sales of tickets for a show that saw a disjointed initial promotion.

The Ugly

Not only are festivals becoming more cluttered making it difficult for brands to ensure cut through, more festivals are entering the market and then being cancelled for a variety of reasons (see above).  This creates nervousness for Marketing Directors who really need to be confident that their marketing budget is safe and working for them.  Plans, resources, campaigns are in place well in advance and having a significant portion of their plans cancelled at the last minute is just not an option in the current economic climate where budgets are scrutinised and sometimes wrong decisions can place your job in jeopardy.  Last year alone saw 42 festivals cancelled and already this year many major festivals are also calling in the towel.

But all is not lost!

This is not to say that sponsoring music festivals is a bad idea – far from it.  But there needs to be careful consideration into which music festivals brands do choose to partner with and also a solid strategy in which to activate.  When both the brands and the rights owners work together amazing potentials can be created and tend to drive not only the experience for the muddied music lover, but also create brand advocates and sustain the festivals that can deliver these innovative types of sponsorship collaborations.