How to Get Sponsors as an Influencer 1st August, 2017

Most bloggers, vloggers, podcasters and Instagrammers started out treating it purely as a hobby, so working out how to get sponsors as an influencer can seem daunting. But it doesn’t need to be. If you’re good at what you do and have an audience that loves your content, brands will want to work with you just as much as you want to work with them. Follow our advice on how to get sponsors as an influencer and you’ll be inundated with offers in no time!

Be yourself

It’s easy to look at the biggest and most popular influencers in your field and think “I want to be like them,” particularly if they are working with lots of cool sponsors you’d love to partner with. But copying someone else will only ever lead to you being a second-rate copy of them. And if brands want what they have, they’ll go to that influencer, not someone trying to imitate them.

Let your own unique personality and passion shine through. This will help you build an audience who love you for what you do, and make you a unique offering to potential sponsors. No one else can do you as well as you can. And there will be certain sponsors who want exactly what you’ve got.

Think audience first, sponsors later

In a world where influencers are today’s celebrities and more school kids dream of being a YouTuber than an actor or footballer, there are some people who get into blogging or vlogging hoping to make a quick buck.

Audiences are savvy to this, and will be drawn to someone who is genuinely passionate about the topics they’re covering and the content they’re producing far more than someone who sees it as an easy moneymaker.

Do it because you love it and create content you’re proud of. That will help you build a loyal audience that sponsors will appreciate and want to harness in partnership with you.

Get yourself out there

That doesn’t mean you should be afraid to make brands aware of who you are and what you’re doing. As your audience grows, brands will likely become aware of you anyway, but interacting with them on social media can help speed along the process. Just be careful to do it in a subtle manner, not replying “PLEASE NOTICE ME!!!” every time they post something on Twitter.

Getting out and about in the industry and meeting people face-to-face can often be the best way to build relationships with sponsors. If you’re a fitness influencer, you could attend FitCon, the biggest fitness event in the UK.

Any event that brings together your whole industry is a great place to connect with other influencers you may want to collaborate with, and sponsors you may want to partner with.

Don’t be afraid to say no

When you first start working with sponsors, the temptation can be to agree deals with as many as you can. But you need to remember what’s most important: your platform and your audience. Allowing yourself to become saturated with sponsored content can cause you to lose your authenticity and make your audience turn off. Commit to much of your time to sponsors and you can also find that you simply no longer have time to produce the content you love making that attracted your audience in the first place.

Work with the right sponsors

If you work with sponsors in the right way, you and your audience will benefit. You’ll be able to offer them fantastic content that you wouldn’t have had the means or access to produce without the sponsor’s help. And the sponsor may offer opportunities and prizes that your fans will love.

The key is working with sponsors that are a perfect fit for you and your audience. This will make the partnership seem natural, not forced.

A good general rule is “would you have any interest in this brand if you weren’t being paid?” If the answer is “no”, think very carefully before agreeing to work with them as a sponsor. If the sponsor fits in naturally with content you would produce anyway, that’s the dream scenario for you, your audience and the sponsor.

Remember the important people

You may have grown a huge audience and be working with sponsors on huge projects, but the people that matter most are still your fans. Make time to reply to their comments, tweets and messages. This will keep the relationship strong and show sponsors that you have a strong connection with your audience.


Heading off Piste – Solving Platform Issues With Sponsorship 31st March, 2016

Fresh from the success of Snowboxx 2016 just this month, we thought this would be a great time to shine a light on how Snowboxx has utilised sponsorship to develop the event.

Snowboxx is a week long snow escape combining the perfect ski holiday by day with the excitement and hype of a festival hosting world renowned DJ’s by night. Based in the picturesque resort of Avoriaz in France the festival has grown year on year, welcoming over 4,000 attendees to this alpine getaway. However when planning the 2016 event, Snowboxx faced a number of challenges which it felt were creating barriers to the event’s growth & customer experience.

In order to overcome these challenges Slingshot worked with the sponsors to ensure all activation was curated to create a positive contribution to the identified areas, whilst supporting the on-point brand activity. This allowed sponsors to not only project their desired messaging but to also provide meaningful engagement to the festival and attendees alike.

Sponsorship Solutions

The four sponsors of Coors Light, Rockstar, Jungfrau & Dare2B all brought brand activations and expertise to the event, highlights include:

  1. Social Media & Content

A key challenge to rights-holders is social media, the management of content and how to engage with the attendees in an engaging manner. As such Coors Light, the brand for ‘Damme cold’ refreshment had a huge focus on amplifying their sponsorship outside of the festival boundaries of France. With a thirst for content and social interaction Coors Light developed a social media centric campaign to support their sponsorship including the curation of a unique Coors Light Igloo Party, a Twitter competition to win tickets for the Igloo Party, in addition to the chance to win a trip to Snowboxx courtesy of Coors Light – now that’s refreshing!

  1. New Audience & Reach

Ensuring an event is reaching new audiences and providing unique experiences are key to growth and attendee retention. With a platform seemingly made for Rockstar who embody the spirit of music and adrenaline fueled activity, Snowboxx was able to benefit from the launch of the new Freeze product variety and the supporting campaign. Launching with striking point of sale creative across a number of key retailers both inside and outside of the UK, Rockstar offered customers the chance to win the ultimate VIP experiences at Snowboxx including accommodation, lift passes, flights and even onstage viewing during the acts. In addition to this Rockstar was onsite throughout the festival providing the added revival to all the attendees for the long slope days and late nights at the main stage.

  1. Customer Experience

In a unique development for winter festivals, Snowboxx 2016 introduced a festival village within the heart of Avoriaz in addition to hosting bars and clubs across the resort. Due to the sprawling site it was imperative that the customer experience wasn’t impaired by the cold or misdirection. As the official clothing partner of Snowboxx 2016 Dare2B wanted to align with the youthful winter sport market and be seen as the equipment of choice for the slopes. By providing the clothing for all onsite staff Dare2B had over 70 branded customer service reps roaming the resort.

  1. Retaining Momentum

Captivating an audience outside of the core entertainment schedule is a challenge not only restricted to the festival scene. Highlighting the periods of most downtime for attendees Jungfrau hosted activity from the Jungfrau Igloo atop the main festival site, to be the saviour for all those forgotten, hats, hip flasks and shot glasses. Through the festival Jungfrau provided refreshments throughout the down days with sampling whilst providing attendees with branded merchandise including glasses, bobble hats and the ‘piste’ de resistance, the Jungfrau branded shot ski’s revered by all the attendees’ onsite. This coupled with an engaging social team to support and interact with all captured content allowed Jungfrau and Snowboxx to connect with the attendees outside of the core entertainment times.

Results

Snowboxx 2016 was met with roaring acclaim from attendees, with one group describing it as “the best week of their lives” whilst on the final chair lift. No doubt with the increasing allocation of tickets next year the event is sure to sell out once again.

So much emphasis is focused on alternative revenue when right-holders initially look to secure sponsorship, rarely are the other benefits spoken of until this topic is exhausted. However when looking at the challenges or weaknesses in your own platform you can utilise sponsor expertise to help upgrade this thinking much below the initial surge in the bank balance.


Will brands click play on creating an e-athlete megastar in 2016? 23rd February, 2016

E-Sports are fast becoming more popular as both a competitor and spectator sport in the West, with Wembley Arena playing host to large events such as League of Legends and a dedicated e-gaming space currently being developed in Fulham.

Despite numerous stalwarts’ draconian views and attempts to undermine the credibility of the platform, veteran e-sports journalist Rod Breslau commented in a VICE interview that it continues to surpass expectations in revenue and attention. A once tight knit community now draws in hundreds of thousands of attendees to events (surpassing many traditional sporting contests), eager to see their team take home cash prizes to $18million (The International 2015).

Already USA and Korea have ‘appointed’ superstar players (Faker, NadeShot), with the success of KSI (he would be the first to point out he is not a ‘gamer’) in the UK when will mainstream brands see the e-sports as a credible, substantial marketing platform? Red Bull were the first major brand to act signing Dave ‘Walshy’ Walsh in 2006 however relatively few brands have followed. Venturing outside traditional endorsements to capitalise on the expanse of the platform, Red Bull developed training labs focusing on nurturing and developing the e-sports athletes of the future, cementing their position and long term commitment in the sport.

E-sports is growing in size year on year with significant growth expected in 2016. The platform is already producing talent, major events and games which are capable of building and capturing a loyal fan base of elusive millennials. These can be reached through numerous, non-traditional channels including online streams and development YouTube channels, to note Matt ‘NadeShot’ Haag has over one million YouTube subscribers who follow his daily gaming sessions.

Yet Europe has yet to find their e-sports star on the same pedestal as their Asian counterparts such as Sang-Hyeok Lee, who is constantly in discussions with native Chinese companies interested in partnering.

There are a number of parallels with the growth of sports marketing in the 1970’s and the e-gaming platform of today with brands viewing the platform with trepidation as opposed to optimism. Brands should look towards e-sports as an exciting platform to engage with their market using all of the crucial buzz words of content and media coverage of the industry today (in 2014 over 70 million hours of content was captured from League of Legends online, with the BBC streaming the 2015 contest live on their IPlayer and Sport platforms).

2016 is set to be a monumental year for the growth of the e-sports industry, with tournament prize pools reaching up to $20 million and huge strides pending in the Western market.  With new launches of multiplayer sensations (such as Overwatch, Battleborn) sponsors will have the ability to engage in real-time with the audience something which is rarely achieved through traditional sporting means.

For those brands who position themselves as ground-breakers E-sports offers the perfect challenge. The only question is, who will click play?


Long Live the King! Fast Food Brand Ambassadors Return Following Hiatus 7th September, 2015

Brand ambassadors have long been used by brands, however it is the return of a larger than life King that has drawn attention across the globe in recent months. Once over shadowed by the might of McDonalds’ Ronald McDonald character (named after former CEO and inventor of the wildly loved chicken nugget) the Burger King, King has returned!

Distinctive and instantly recognisable, standing at over 6 feet tall ‘The King’ has been sighted at various high profile events this summer including the 147th Belmont Stakes where he appeared with Triple Crown winning trainer Bob Bafferrt.

The King’s resurrection began at the start of the summer forming part of the entourage which escorted Floyd Mayweather to the ring during the ‘fight of the century’ against Manny Pacquiao in May this year.

Due to the furor of offenses and negative publicity following Floyd Mayweather in recent years, brands have been cautious to not align with the star; however reports have sited that Burger King purchased the rights for $1 million, becoming one of Mayweather’s first sponsors for some years (having topped the Sport Illustrated Fortune 50 athletes with $0 endorsement deals three times).

The mere sight of the brand ambassador in this setting created mass attention around Burger King. Social media interaction increased significantly creating over 1,343% growth interest for the brand. Yet not all interest was positive with many criticising Burger King for supporting the convicted domestic abuser across Twitter.

With Adweek reporting The King created over a weeks’ worth of publicity for Burger King simply by appearing in coverage of the ring walk with Floyd Mayweather perhaps this is the first in line for the fast food ambassadors – beware the return of The King, Ronald, and The Colonel.


A Day in the Life – Festival Sponsorship Management 3rd September, 2015

As another part of our Day in the Life series we invite you to Pula, Croatia and the current site of Slingshot Sponsorship clients Outlook & Dimensions music festivals.

The music festival is now in its 5th day with international artists and brands in full swing. The Slingshot Sponsorship team have been hard at work over the last week to ensure all the sponsors plans and activations are fulfilled and surpass expectations. Welcome to a day in the life of onsite sponsorship management:

Morning

  • Awaking to the near sound of silence (with most festival goers all recouping from the previous night’s antics) the team meet for breakfast at the festival’s staff area to discuss the sponsorship programme delivery so far, the plans for the coming 24 hours and to share any stories from last night (always entertaining!).
  • Following breakfast the team retreat to the confines of their laptops to ensure all images, social media and admin are planned and in order for the day ahead.
  • The rest of the morning is allocated to ensure delivery on any outstanding work from other client accounts, liaising with the team in London to stay up to date on any actions from head office.

Afternoon

  • The early afternoon has been a flurry of activity each day with a host of tasks and favours called in, whether ushering VIP’s to locating an elusive set of keys the team are on hand to ensure all activation is running smoothly.
  • One of the key features of Dimensions Festival is the Knowledge Area, an area where festival goers can create music, collaborate with each other and listen to acts and idols from across the festival talk about their experiences and deliver expert workshops. Sponsored by the likes of Native Instruments, Abelton and Urban Ears the team are busy setting up the necessary sponsor equipment, marketing information and ensuring all attendees are aware of the schedule for the day including the featured artist’s key note – a huge draw in the late afternoon.
  • New Era’s key activation at Dimensions Festival is the artist lounge. A place for artists to relax, meet the crew and other artists as well as access the range of New Era merchandise available. The team are underway ensuring the lounge is still in pristine condition, stocked with all styles and set for tonight’s activation.

Night

  • Following dinner the team are briefed in and informed of any specific requirements.
  • One section of the team are on hand at the Knowledge Arena to ensure the smooth change over from the workshop to the delivery of the artist key note speeches with a huge crowd set to listen to the legend George Clinton.
  • The remaining team are on hand at The Clearing to welcome all artists to the lounge, mingle and capture content. Tonight there were specific requests from a number of artist from across the festival stages who asked for New Era caps for their onstage performance, which the team duly delivered and captured the content from.
  • As the music continues until 6am, enough of the team are on hand for the rest of the night, a couple of members take the opportunity to visit a select stage or two of their favourite artists and join in the Dimensions vibe.
  • With happy sponsors, well delivered activations and content captured from across the festival it’s time to retire to bed and catch a few hours’ sleep before it all begins again!

When Doping Delivers – US Postal Service & Lance Armstrong 12th August, 2015

Following the fallout from the recent athletics doping scandal brought to the fore by The Times & German broadcaster ARD last week, this is an opportune time to look at one of the biggest and divisive scandals in sport. The continuing battle between Lance Armstrong and one of his prime sponsors, the US Postal Service.

The US Postal Service was a long term sponsor of Lance Armstrong’s cycling team, partnering from 1998 to the 2004 season. The US Postal Service paid $40 million in rights fees across the 6 year term with around $18 million received by Armstrong himself.

In the wake of Lance Armstrong’s sensational doping confession in 2013 the US Government are seeking damages of over $100 million under the False Claims Act as it was sold on the notion Armstrong competed as a ‘clean’ rider. In the blog Enter at Your Own Peril, Slingshot Sponsorship previously explored the facets that affect a sponsor when the rights holder is involved in controversy, however the current case has highlighted another valuable point of discussion.

The interesting development within the Armstrong vs. U.S.P.S. case is the comment from Armstrong’s legal team that the US Postal Service “got exactly what it bargained for, including tens of millions of dollars’ worth of publicity, exposure to more than 30 million spectators at international cycling events, and hundreds of hours of television coverage”.

Herein lies an interesting argument. The US Postal Service did indeed ‘get what it paid for’ with studies stating it received at least $139 million in worldwide brand exposure in four years. Bolstering this, in a document for a 2003 Postal Service news conference the Postal Service described the sponsorship as “may be one of the most effective public relations ventures the Postal Service, and for that matter, any other global service agency, has ever undertaken”.

The argument posed by the defending council is during the sponsorship of the team the US Postal Service reached its objective of overhauling the stereotypes of the postal workers, increasing brand exposure and driving sales and that the current revelations had no hand in the effectiveness of that partnership.

If the US Postal Service reached its outlined goals it would seem contrived to seek fiscal compensation over a decade after the sponsorship ended. With the battle still rumbling on in the courts only time will tell what the Federal Judge will decide.


When Bigger Isn’t Better – Challenger Properties Offering Sponsors Value for Money 13th July, 2015

Amongst the fall-out from the recent FIFA investigations, a number of brands expressed concern at being involved with the prestigious global property. Should those brands re-evaluate their sponsorship, they may well be inclined to look at a lower profile alternative – a challenger property with a solid foundation, set to ascend further into the public eye.

Lower profile properties allow sponsors to have greater access, less risk and a greater opportunity to tailor their involvement helping to facilitate a more integrated partnership with the rights-holder.

An example of this is one of Slingshot’s client’s GB Taekwondo, one of the shining lights of Team GB and golden hopes of Rio 2016. Established in 2002, the team has grown substantially in recent years developing into a team of 27 full time athletes including a school outreach programme, UK hosted international and domestic championships and a clear pathway to Olympic success.

The team has captured medals at the Olympics, World Grand Prix and most recently conquered at the World Championships where Bianca Walkden and Damon Sansum claimed Gold & Silver medals  respectively resulting in national media coverage across the BBC and ITV. Jade Jones also clinched Gold at the inaugural European Games in Baku, Azerbaijan.

Tasting Success

With a challenger rights-holder such as GB Taekwondo the team offers sponsors an extremely flexible and personal platform to associate the brand – reaching multiple objectives in the business.

Hill Dickinson the law firm (a partner of the team since 2014) is a prime example of a company who has leveraged their partnership to great effect, creating tangible new business opportunities, cross company staff engagement and accomplishing multiple CSR objectives within the firm.

The firm was provided such flexibility due to the aligned core objectives of both parties. The team and athletes understood Hill Dickinson’s key objectives and helped facilitate this through their own understanding of their assets – a proactive approach not often taken with some of the more established rights holders. Through this sponsorship, staff have created lasting relationships with Olympic athletes which have grown and developed on the Road to Rio 2016 creating a more holistic partnership than mere branding or hospitality.

Future Opportunities

With challenger properties, brands have the opportunity to truly partner with the right-holders. Enabling the opportunity to reach success across company objectives with smaller companies who may believe sponsorship is out of their budget.

As the property evolves as will the partnership and fees associated. The brand’s objectives and focus will adapt, changing in tune to the success – reaping the rewards on their modest outlay with increased PR, awareness and opportunities. When working in this manner, sponsors find the ROI clear to see with such a cross section of involvement at all levels.

Act now!

In the Road to the Rio Olympics, now is the time to consider how lower profile sporting properties could significantly benefit brands – without the price tag of sponsoring the Olympics.

The GB Taekwondo team has a calendar for 2015/2016 including the World Championships, Baku 2015 European Games, World Grand Prix, the Road to Rio and the crowning glory of the Olympics. Now is the perfect time to engage to access Olympic benefits leading in to Rio 2016, supporting your business objectives over the long term.

*Partnership opportunities are available with both team level with GB Taekwondo, and at the World Grand Prix held on the 16th -18th October 2015 at Sportscity Manchester.

Music Festival Sponsorship: The Good, The Bad and The Ugly 17th April, 2012

We have been talking a lot about music sponsorship here at Slingshot.  Mainly because we are knee-deep in a couple of very exciting music projects, but also because everyone is gearing up for festival season.  Mostly I have been consumed with which festival to go to for our agency’s second birthday, but I have also been having some interesting conversations with both brands and rights holders on what is coming up this year and the current state of music festival sponsorship.

The Good

Festival sponsorship has always been a great platform for brand engagement – especially in the UK market with the English music lover’s ability to bare rain, sun, sleet, and a muddy tent with a smile on their face.  It not only provides the perfect atmosphere for a receptive audience, but also the space to really leverage brand experiences.  Festival-goers walk away with memories they cherish forever, which can provide a significant amount of brand recall for future years to come.  Consider V Festival – the name so synonymous with Virgin Media it surprises many when you find out they don’t actually own this festival, but just act as the Headline Sponsors.

The Bad

Because festival s has been such a great sponsorship platform, brands have flocked in droves – creating a cluttered market.  Instead of engaging with a couple brands, festival goers are often  bombarded by marketing messages,samples, activations, offers and more.  One festival had so many pre-sale sponsors that most people didn’t know where to purchase tickets and so opted to  not do it, which consequently saw the festival getting cancelled as they couldn’t underwrite the loss nor project the future sales of tickets for a show that saw a disjointed initial promotion.

The Ugly

Not only are festivals becoming more cluttered making it difficult for brands to ensure cut through, more festivals are entering the market and then being cancelled for a variety of reasons (see above).  This creates nervousness for Marketing Directors who really need to be confident that their marketing budget is safe and working for them.  Plans, resources, campaigns are in place well in advance and having a significant portion of their plans cancelled at the last minute is just not an option in the current economic climate where budgets are scrutinised and sometimes wrong decisions can place your job in jeopardy.  Last year alone saw 42 festivals cancelled and already this year many major festivals are also calling in the towel.

But all is not lost!

This is not to say that sponsoring music festivals is a bad idea – far from it.  But there needs to be careful consideration into which music festivals brands do choose to partner with and also a solid strategy in which to activate.  When both the brands and the rights owners work together amazing potentials can be created and tend to drive not only the experience for the muddied music lover, but also create brand advocates and sustain the festivals that can deliver these innovative types of sponsorship collaborations.